Why Hedda Can Still Shock Modern Audiences Explained By Tessa Thompson



Transplanted to mid-century England, this ingenious reimagining of Henrik Ibsen’s beloved play from writer-director Nia DaCosta (2021’s Candyman) infuses its source material with fresh, feminist power and energy. Starring Tessa Thompson (Passing), Imogen Poots (TIFF ’15’s Green Room), and Christian Petzold regular Nina Hoss, Hedda is an original work of cinematic invention.

Newly wed and precariously dissatisfied with life, Hedda (Thompson), gun-loving daughter of the late General Gabler, has convinced her husband George (Tom Bateman), a timid but ambitious scholar, to throw a lavish party the couple cannot afford. On the teeming guest list is Eileen Lovborg (Hoss), a celebrated author of a book exploring sexuality — and George’s key rival for a coveted academic post. Hedda sees the guests as pawns in an elaborate game she plans to orchestrate with ruthless precision.

Hedda premiered September 7 at Toronto International Film Festival, which runs through September 14. Check out the TIFF website for more available public screenings.



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